Too Goth for Pop - Cemetery Confessions

If you enjoy the show, please consider supporting us on Patreon.
You can subscribe to the show via our podcast app or iTunes.
You can E-mail us at

This week we are going to be discussing goth music, but more interestingly those sites of liminality and ambiguity where what we’ve come to know as goth music collides and makes love to pop and indie music. What effect has that had on culture and clubs both historically and today, and what does this mean for the future of the genre?

In recent years we've seen an explosion of hard to classify acts that skirt the edge of goth culture and sound, bands such as chelsea wolfe, king dude, zola jesus, them are us too, cult of youth, Savages, Austra and so on. Do these bands mirror the sort of early 80’s melting pot of goth, synthpop, glam rock, new wave, deathrock etc, Are we just seeing Indie bands taking on a darker yolk, or are we seeing some new form of “art goth”, or perhaps an eschewing of genre classifications in general?

Our guest this month was Joshua, please check out his music project Gevatter Tod!

Further Reading:
-Gothic Music and the Inevitability of Genre
-Gothic Music: The Sounds of the Uncanny
-25 years in the Reptile House


The Count

I have been a part of the goth subculture since I was 16. I am the owner and creator of The Requiem Podcast which has been around since early 2008 and also podcast award nominee Cemetery Confessions. I am also known as DJ Count. I am married, and a father to a beautiful baby bat named Link.